Home



 

Works / Chamber / Songs from the Edge


 

Songs from the Edge


String Quartet No. 1
For mezzo-sopran and string quartet

 
 
Contents:
» General
» Program Notes
» Video and Audio Clips
» Press
» Text
» Performances
 


General



 

Text: Annette Pashayan
World Premiere: The Chautauqua festival, 31.7.2006
Janine Hawley, The Auduon Quartet
Israeli Premiere: "Israeli Music Days", Jerusalem Theatre, Rebecca Crown hall, 27.9.2006
Performers: The contemporary Israeli Quartet, Karin Shifrin, singer


 

Program Notes



 

“Songs from the Edge” is a work in five movements for Mezzo-Soprano and string quartet. The composition is based on a set of 5 poems written by Dr. Annette Pashayan in 1996 about her experiences with breast cancer. Each poem deals with a specific aspect of her struggle with the disease:

  1. After the Fall: The disruption of everyday life after the diagnosis of a life threatening illness and the shocking reaction to physical disfigurement lead the author to a sense of foreboding about upcoming treatments of her cancer.
  2. Chemo and Gould: During intense physical suffering experienced with high dose chemotherapy, the exquisite recordings of Glenn Gould playing Bach serve as a comforting companion to the author. Through his recordings, the dead Gould seduces the sufferer to join him on a shore “where no hurricanes howl and the Ocean is gentle.”
  3. Transplantation: The author experiences the pain, hope and mystery of bone marrow transplant.
  4. Acts: Friends and loved ones play critical roles in the healing process and in doing so, reveal their divine nature.
  5. Restoration: Snow is a metaphor for restoration of the author’s white blood cell count. The transplant has engrafted, she is healing, she delights in a sense of recovery and hope.

Collaborating with Dr. Pashayan is renowned Israeli composer, Ella Sheriff. Ms. Sheriff is the 2005-2006 recipient of the Israeli Prime Minister’s Award for Composition for her opera, “And the Rat Laughed”. She is also intimately acquainted with the ravages of breast cancer, having lost her sister, the author Shosh Avigal, to the disease. Dr. Pashayan and Ms. Sheriff met at the 2004 English language premiere of Sheriff’s piece, “Can Heaven Be Void?” at the Chautauqua Institution at Chautauqua, NY. Chautauqua is hosting the premiere of “Songs from the Edge” in the summer of 2006.

Pashayan and Sheriff are meeting in Israel in October of 2005 to collaborate on the piece, and details regarding the shape of the composition will soon be available.

 


Video and Audio Clips



 
Video Clips:
From the Israeli Premiere, Jerusalem Theatre, 27.9.2006
Performers: The contemporary Israeli Quartet, Karin Shifrin, singer

Audio Clips:
From the World Premiere, The Chautauqua festival, 31.7.2006
Performers: The Auduon Quartet, Janine Hawley, singer
 


Press



 

A lively Musical Feast

"...Other workshops and concerts exposed musical treasures... A string Quartet by Ella Milch-Sheriff had an excellent performance by the Israeli Contemporary Quartet and ended with a choral movement which was extremely moving..."

Noam Ben-Ze'ev, Ha'aretz, 28 September 2006


Article on the Winston Salem Journal
23.07.2006
 1 - Click for full view
part 1
 2 - Click for full view
part 2
 3 - Click for full view
part 3

  Article by Aviva Lori, Haaretz
25.08.2006
 1 - Click for full view
part 1
 2 - Click for full view
part 2
 3 - Click for full view
part 3

Article by Wilma Salisbury, Cleveland News
6.08.2006
Click for full view

   
 


Text



 

Songs from the Edge
By Annette G. Pashayan

(Excerpts used in the musical composition)

This work was supported by the Dr. Clifford and Elizabeth Guy Award of the Society of Arts and Medicine of The Arts Council of Winston-Salem and Forsyth County.


I. After the Fall

Two arms have I, two legs, two feet,
Two eyes to gaze on all I meet;
Two ears locate the speaker’s site,
Each side I know as left or right.
Inside, two chambers take in blood,
And two pump out the crimson mud;
Two lungs, two kidneys in me nest,
But on my ribs
Lies just one breast.

This isn’t how I looked when born,
But one was bad and from me torn.
It makes me sad to see me so,
One side a breast, the other, no.
But deep inside I am aware
This is a lesser cross I bear.
What is to come will far worse be
Than seeing this asymmetry.


II.  Chemo and Gould

I lie on my side like a shell on the beach,
legs curl in a spiral, head bent to my knee,
I slumber, the tide slowly rises
and fills every angle and curve
every corner and sac.

The tide, now advancing, made bold by a tempest,
The tempest visits these waters in too frequent cycles.
The storm, like an engine,
Deafening beat
Cacophonous shrieking
Is bursting my head, laying blood at my feet.

Crystal percussion, delicious and light.
A song so seductive expressive and lyric,
No storm surge, no blood pools,
Just sleep, plenteous sleep.

So close, I can touch it,
So real I can see him.
He studies my posture through cavernous eyes,
Awaiting my fall, his song beckons: rest!
Exquisite musician,
You sailing the heavens,
Must join your chaconne and travel the stars...
Not now, dearest comfort,
Not yet, great companion.
I’ll shudder as gales tear the flesh from my soul.
I’ll stand in this place, and these storms I’ll survive,
For I, unlike you, will sound best when heard live.


III.  Transplantation

Frozen seeds raised from slumber in viscous suspension
That causes its chalice of white to turn silver with sweating.

Through mist, a hand reaches
to force the cold slush through my heart
Where it thaws, giving life to omnipotent forbearers.

Past lungs, neck and head, they swim homeward to spawn. 
Some seeds lost in the tumult. 
A few, precious few find the marrow bed.

The icy elixir is searing my core;
Stench pervades every pore
And it sickens the angels who soothe me still.

The vile juice conceals its rescuing power: 
It is my sole hope. 
This foul fuel from my past is my future.


IV. Acts

Who is this man?
Whose hands once pressed
A young and fragrant flesh

Who is this child?
Whose laughter rings
Across the hills and fields,

Who is this friend?
Once dressed to play
In sharing give and take,
Whose quiet vigil guards the weak,
Who washes sanguine, soiled garb,
While asking but a hand to keep...

Who is this man?
Now mop a tepid brow
And cradle a rank and bed-sore frame....

Who is this child?
Whose smiling image hovers
Above the unhappy indisposed
To bless the failing heart to strength...

Who is this friend?
Who is this child?
Who is this man?


V.  Restoration

Snow is falling, beautiful snow,
Each flake unique and delicate.
They gather, they stick,
They grow in number.
Winter’s frost bared the earth.

Smug in my relative leukocytosis,
washed in joy and delight,
I smile, I glow,
I rest me content.
Road winding before me,
I’ll travel tomorrow.
Tonight’s quiet,

I savor.


 


Performances



 
  • Israeli Premiere: "Israeli Music Days", Jerusalem Theatre, Rebecca Crown hall, 27.9.2006 Performers: The contemporary Israeli Quartet, Karin Shifrin, singer.
  • World Premiere: The Chautauqua festival, 31.7.2006, Janine Hawley, The Auduon Quartet.


 
 


Visit LionWays